Malek National Library and Museum

by Gennady Kurin

Located on the grounds of the National Garden in the Topkhane district of Tehran, The Malek National Library and Museum (Ketābkhāna va mūza-ye melli-ye Malek) is a must-see not only for researchers but also anybody visiting Iran’s capital. While the museum holds an extensive collection of various artifacts, coins, artworks and carpets, the tens of thousands of Islamic manuscripts, many of which are rare and some unique, make the library one of the largest depositories of its kind in Iran.

Malek 1
The entrance to the Malek Library

History

The institution was established over seventy years ago on the initiative of Hosayn Malek, who died in 1972 at the age of 101. The center was initially located in his father’s house in Tehran, until 1966 when it was moved to a new building in what was then the central part of the city. In his twenties, Hosayn Malek, the grandson of a high ranking Qajar officer, traveled to Khorasan with his father, where he had a chance to get acquainted with some of the most beautiful art works of Islamic world. It was during this trip that he made a decision to acquire his own collection of manuscripts and establish a library. Hosayn Malek’s passion for other kinds of artifacts and artworks came in later years. In 1937 he decided to donate and endow his collection of precious objects and manuscripts to Astan-e Qods-e Razavi (a charitable foundation managing the shrine of Imam Ali Reza) for public use. It is a little difficult to determine when or how the different pieces from this extensive collection were acquired. What we do know is that at the time of Hosayn Malek’s death the value of his endowments was estimated to be over several million dollars. In recent years Hosayn Malek’s daughter, Ezzat Malek Soudavar, has made another significant donation to the center of arts works and Quranic manuscripts that further enriched the already extensive collection.

Collections

The center is divided into two sections: On the ground floor there is a museum and on the first floor there is a reference library and computer room.

The museum has well-presented collections of visual arts, paintings (European and Iranian), lacquered pen cases from the Qajar era, coins, an impressive collection of Qurans (including a part of Quran in Kufic script on a parchment leaf, ascribed to Imam Hassan Mojtaba), and other calligraphic masterpieces. The library has two reading rooms. One room has a number of volumes on subjects ranging from medicine and biology to geography, politics, history, and religious sciences. As of 2007, the library had approximately 70,000 printed books but this figure maybe slightly outdated. The library has been rapidly expanding and new books are constantly being added to the collections. At the time of visit stuff members regularly came in with trolleys stuffed with books. It is worth browsing through the shelves. The second reading room, also a computer room, holds all of the catalogs, periodicals, magazines, and a few shelves at the very back on subjects like mathematics, computer science, accounting or general English.

The center holds over 19,000 manuscripts dating from the tenth to the twentieth century. The manuscript collection is divided in two groups. The first includes philosophical, literary, historical and scientific works, most of which are either rare or unique. In particular, the staff members take great pride in the extensive collection of scientific works of Avicenna (Ibn Sina). The second group of manuscripts includes books from all over the Islamic world, many fine examples of Persian calligraphy and miniature (e.g. Shahnamas produced for the Safavid or Timurid kings) are kept here. The majority of works is in Persian, but one can also find works in Arabic and some in Ottoman Turkish.

The manuscripts in the collection are of great variety, but the overwhelming majority originate from Iran and its neighbors (i.e. do not expect to find many works related to North Africa, whereas there is quite a lot on Central Asia and India). At the same time one can easily find works by late Qajar intellectuals, medieval Islamic histories, as well as dynastic chronicles from the Ilkhanids to the Qajars, hermeneutics and other religious subjects as well as a lot of poetry. The oldest manuscript in the collection dates back to the fourth century of the Islamic era. Of particular interest are local histories of different provinces or cities of Iran (e.g. Kerman, Lorestan, Kordestan, Tabriz, Orumie…) and the travelogues (safarnama) of Hajj pilgrims and Persian and European travelers (inside and outside of Iran).

A coin from the Malek museum's collections
A coin from the Malek museum’s collections

Research Experience

The Malek Library is one of the easiest institutions to access and use in Iran. The library’s convenient and easy-to-reach location, friendly and helpful staff (some of who speak English), well-functioning software (albeit only in Persian), free WiFi, and very comfortable reading rooms make the Malek Library one of the best research institutions in Iran. The building has elevators and is relatively maneuverable in a wheelchair. The reading rooms are very spacious and never seem to be too crowded. The rooms, however, can get quite chilly as a consequence of the powerful air conditioning systems.

There is a fourteen-volume catalog of the library’s manuscript collection–thirteen volumes of which have been prepared by Iraj Afshar and Muhmmad Daneshpazhuh while the most recent volume is a work of Seyyid Muhammad Hussein Hakim–available for reference in the main reading room. Catalogs for other Iranian libraries and archives, as well as for research institutions in Turkey and Europe are also available. The catalog provides some details on the manuscripts in the collection, including the date of acquisition and place and date of copy. The catalog is well organized and easy to use. The entries appear accurate, but the librarian has informed me that there are occasional mistakes, which will be corrected in an updated version of the catalog to be at the end of this year (Since my visit to the library a new edition, plus a new volume (14th) have been published). There is no electronic catalog available on the library’s computer workstations yet. Ottoman and Arabic manuscripts are covered in the first volume of the catalog and are organized alphabetically, for the small number of works in these two languages. Volumes two to four contain descriptions of Persian manuscripts which are grouped according to subject, e.g. history, literature, science and medicine as well as law and fiqh, and within those groups are also arranged alphabetically. Volumes five to nine contain anthologies and collections while the rest, ten to fourteen are volumes of indices organized by authors, copyists, dates, manuscript names, etc.

Generally speaking, the whole collection has been cataloged and digitized. Researchers request to view manuscripts by submitting the appropriate catalog numbers to the librarian, who then uploads the manuscript to one of the library’s workstation computers. The whole process takes no more than an hour. The quality of the digitized documents varies, but is generally quite decent and the computer interface is user-friendly. Although the quality of the digitized documents is fair (with some variations), all of the manuscript images are slightly obscured in the lower-right (or lower-left) corner, where the library has placed a digital watermark. Viewing original documents is more complicated and one needs to negotiate with the different members of staff and make good use of personal charisma.

Depending on the number of manuscripts that a researcher requests, the process of obtaining a CD with the reproductions usually takes between two to five working days (the center is open 6 days a weeks). Personally, I’ve not experienced any inconvenience while working at this library except perhaps for the rather arbitrary opening-closing hours (it is better to call the library before leaving home).  Generally speaking the best tip is to wake up early, go to the library and stay there until it closes as opposed to trying to combine a visit to the library with something else. Tehran simply is the city where it is often difficult to plan things.

Malek Library Museum-001
The interior of the Malek museum

Access and Reproductions

The center is officially open Saturday to Thursday from 8.30 to 16.30 during summer, and 9.00 to 17.00 during winter. We recommend calling before every visit to confirm that it is open. The museum and library (including computer room and reading rooms) are open to the public and registration is required. However, those who plan to request reproductions on CD or a viewing of the manuscripts need to bring a passport and an introduction letter (ma‘rifatnama). Letters of introduction may be written by academic supervisors or departmental chairpersons (no specific format). They may also be obtained from the International Center for Persian Studies (ICPS), known as the Dehkhoda Institute. The Dekhoda letter of introduction is also accepted by all other major libraries, archives and research centers in Iran. As for the difficulty of the process, other than having to run around the premises getting signatures of different members of staff (takes no more than an hour) everything is pretty smooth and easily accessible. I have been told by a member of staff that taking pictures of manuscripts is not allowed. Reproductions of manuscripts cost 2,000 Rials per pdf page (approximately 7 U.S. cents) and generally take up to five days to be prepared.

Transportation and Food

The Malek Library and Museum is located in downtown Tehran, only five minutes away from Imam Khomeini metro station (Red metro line). Metro is by far the most convenient transportation option in Tehran (the traffic is pretty congested during most hours) and the center is best reached by metro. Tehran is certainly not known for its delicious street food but there a few places to have lunch or dinner around the center, including a couple of fast food places on Ferdowsi avenue and some decent cafes and lokma kebab on Mirza Kuchek Khan street, both are relatively cheap and within walking distance. Packing your own lunch might also be an option, as there are some really nice gardens and parks in the area. The archive itself is located inside a massive garden complex although there doesn’t seem to be too many places to sit in the garden.

Malek Sign-001

Contact information

Managing Director:

Seyed Mohammad Mojtaba Hosseini 

Mailing address:

Melal-e Mottahad Street, Bagh-e Melli, Imam Khomeini Avenue, Tehran, P.O. Box: 111555/547

Internet site and email:

www.malekmuseum.org (The Persian site has more options and information than the English version)

info@malekmuseum.org

Phone:

0098 21 66726613, 53 (operator)

0098 21 66751291 (Public relations)

Fax:

0098 21 66705974

Resources and Links

Online catalog

An article about the library’s collections and history, a little outdated but still useful

Some information on the compilation of catalogs

Catalogs:

فهرست نسخه‌های خطی كتابخانه و موزه ملی ملك (14 ج)، نگارش سیدمحمّدحسین حكیم، قم، كتابخانه تخصّصی تاریخ اسلام و ایران، 1393 خ

 فهرست کتابهای خطی کتابخانه ملی ملک وابسته به آستان قدس رضوی (1-13 ج)، زیر نظر ایرج افشار، محمد تقی دانش پژوه؛ با همکاری محمد باقر حجتی و احمد منزوی، تهران:کتابخانه ملی ملک، 1380 – 1352 خ  

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Gennady Kurin is currently a doctoral student at Cambridge University researching Ottoman-Safavid relations and borderlands

Citation: Gennady Kurin, “Malek National Library and Museum”, HAZINE, 3 Nov 2014, https://hazine.info/maleklibrary/

Chester Beatty Library

Written by Melis Taner

The Chester Beatty Library (Leabharlann Chester Beatty) contains Oriental and Western books and manuscripts bequeathed by the private collector Sir Alfred Chester Beatty (1875-1968).  Located on the grounds of Dublin Castle, the library houses one of the finest manuscript collections of Islamic and East Asian material in Europe and is especially well known for its illustrated manuscripts.6144718-Chester_Beatty_Library_Dublin

History

Sir Chester Beatty was a mining magnate who at an early age began to collect stamps and Chinese snuff bottles. Over time he began to collect European and Persian manuscripts. Following a trip in 1914 to Egypt, he became interested in Arabic materials and acquired several copies of the Quran. His collection grew and came to include Japanese and Chinese paintings after a trip to Asia in 1917. Sir Chester Beatty moved to Ireland in 1950 and there he built a library. His personal collection was bequeathed to the public after his death in 1968. The collection boasts manuscripts, single folios, scrolls, textiles and decorative objects from East Asia, Armenia and Western Europe in addition to over 4,400 Islamic manuscripts. The library’s aim is to preserve and display rare materials belonging to the collection of Sir Chester Beatty and to make them available to the public.

Chester Beatty, collector
Chester Beatty, collector

Collection

The Islamic manuscripts in the collection range in production date from the eighth century to the twentieth century. The majority of the collection is made of some 2,650 Arabic manuscripts, most of which are unillustrated and range in topic from history, religion, jurisprudence to astronomy and medicine. There are 260 Qurans in the collection, which boasts an illuminated Quran copied in Baghdad in 1001 by the famed calligrapher Ibn al-Bawwab. In addition, there is a large collection of Mughal manuscripts and paintings, produced during the reigns of Akbar, Jahangir and Shah Jahan. The smaller collection of over 300 Persian manuscripts represents fine examples of illustrated literary works, including a luxurious copy of the Gulistan of Saʿdi (MS 10) made for the Timurid ruler Baysunghur. The collection of Turkish manuscripts comprises the smallest group among the Islamic materials and consists of around 160 manuscripts in Ottoman Turkish and Chaghatay. While a small collection in general, the quality of material preserved is very fine in terms of condition and decoration, and is a great resource for art historians in particular.

Funeral of Suleyman
The procession for Sultan Suleyman’s death, from the collection of the Chester Beatty Library

An e-book version of the guide to the collections is available for download on iTunes for $12.99. Printed catalogs of the Islamic collections are available for study in the reading room. The main sources for the field of Islamic history and art are the catalogs of Turkish and Persian manuscripts by Vladimir Minorsky and A. J. Arberry. Arberry’s eight-volume catalog of the Arabic collections are available electronically on the library’s website. Thomas Arnold produced a catalog of the collection’s Indian manuscripts. For the collection of Qurans, one can consult A. J. Arberry’s handlist of Qurans held at the Chester Beatty Library (please see below for references to all of catalogs cited here). While unpublished, researchers may also consult a folder that includes recent acquisitions.

Vladimir Minorsky’s 1958 catalog of the Turkish manuscripts and miniatures is organized with an eye to the style of painting as well as the language of the text. Thus, the illuminated Persian Mathnawi of Rumi is included in the catalog of Turkish manuscripts on account of the style of its illumination. On the other hand, a manuscript made for a Turcoman ruler, with a text in a Turcoman dialect, and paintings that are closer to Persian art than Turkish art, has also been included in this catalog on account of its language. The Turkish collection includes early works such as the Sulaymannama (T.406) composed and transcribed for Bayezid II (not to be confused with the late sixteenth-century History of Sultan Sulayman (Tetimme-i Ahval-i Sultan Suleyman, T.413), a late fifteenth-century deluxe copy of the Divan of Hidayat (T.401), and the fourth part of the late sixteenth-century Siyer-i Nebi (T.419). In addition, there are several manuscripts that contain maps and paintings of holy places, astrological manuscripts, as well as single folios and albums. There are several eighteenth-century copies of Dalail al-Khayrat; a late eighteenth-century illustrated account of El-Hacc Muhammed Edib Efendi b. Muhammed Derviş’s pilgrimage between 1779 and 1780. Along with illustrated and illuminated manuscripts, there are also several waqfnamas, such as that of Davud Ağa, former chief eunuch, or that of the princess Fatima Sultan, daughter of Murad III.

Minorsky’s catalogs are quite accurate and provide a detailed description of the manuscripts, including information about the author, codex size, folio number, binding, script, the name of the scribe, copy date, and provenance, whenever possible. When dealing with anthologies and albums, Minorsky provides information on individual sections and their folio numbers. The catalogs also include an index of personal names, places and tribes, as well as a selection of images. In addition to these catalogs there are dictionaries and reference materials relating to book collecting, bookbinding, calligraphy, Islamic art, East Asian art, Christianity and Buddhism in the reading room.

In 2011 the Chester Beatty Library launched an online and interactive Islamic Seals Database of seal impressions found in the library’s collection of Arabic manuscripts, set up as part of the library’s Arabic Manuscripts Project. The project is still in progress and will include images of seals from the library’s Islamic collection. The researcher or the visitor to the site may contribute by adding information, thus enlarging the database.

Research Experience

The collection is not digitized but researchers may view the originals in the reading room. The reading room operates on an appointment basis so it is most often quite empty and very pleasant to work in, with a large desk and cradles provided for manuscript support. As the reading room works on an appointment basis, the manuscripts are already on reserve for the researcher when he or she arrives. Should the researcher wish to see other manuscripts, they are brought out a few minutes after the request. There is no need to fill out any forms. In the reading room there are two librarians on duty and they have to be present while the researcher views the material. Should one or both librarians have to leave, a guard takes their place. In general, the researcher is not required to use gloves but cradles are suggested when necessary.

Access

Aurangzeb hunting nilgai
Aurangzeb hunting, one of the illustrated miniatures from the collection of the Chester Beatty Library

The reading room is on the second floor of the library and is open from 10:00 to 13:00, and 14:15 to 17:00 Monday to Friday. The library is closed between December 24 and 26, as well as New Year’s Day, Good Friday, and any public holiday that falls on a Monday. From October to the end of April it is also closed on Mondays. It is important to contact the curator, Dr. Elaine Wright, well in advance as the reading room works on an appointment basis. While there is some flexibility in scheduling further sessions, it is best if the researcher contacts the curator for each session in advance in order to avoid any problem that may arise if the reading room is used for another event. One may contact the curator via e-mail with a description of one’s research and background as well as at least some of the manuscripts he or she would like to see. Once the researcher has an appointment through correspondence with the curator, it is quite easy to access the reading room. The guards at the entrance to the library will point the researcher in the right direction. There are lockers at the entrance (which require a 1 euro deposit), where one can leave personal belongings. There is no internet access in the reading room. The library is wheelchair friendly but it must be noted that currently there are problems with the lift service.

Reproductions

Photography is not allowed but digital reproductions for publication purposes are available on request. Reproductions for publication tend to be quite pricey at 17 euros per image. For a new photograph, it is 50 euros. There is also a handling fee of 21 euros if the images or microfilms are sent to the address. However, the curator is kind enough to provide lower quality images for free (up to 20 images) for study purposes only, if they are readily available.

Transportation and Food

The library is located very centrally, within Dublin Castle, close to Dame Street and Christchurch Cathedral. Dublin is quite small and walkable but bus routes are also available (lines 13, 40, 123, 27, 77a and 150). As the reading room closes for lunch, one may need to pack a lunch or go to one of the many nearby restaurants and cafes. The Silk Road Café, located within the library/museum, provides Middle Eastern and Irish food and has a good selection of vegetarian dishes.  There are plenty of options nearby as well, from fish and chips stands to cafes, especially on Dame Street. The library also regularly holds exhibitions, which make for pleasant lunchtime perusing. The entrance to the library and museum is free. While the collection is quite small in comparison to some other manuscript libraries, the quality of materials is very high and it is a great place to work with the very obliging librarians and curators.

Contact information
Chester Beatty Library
Dublin Caste, Dublin 2
Phone: (+353 1) 407 07 50

Chester Beatty Signage
Chester Beatty Signage

Resources and Catalogs
Chester Beatty Library main site

Islamic Seals Database

Arberry, A.J. The Chester Beatty Library: A Catalogue of the Persian Manuscripts and Miniatures. V.Minorsky. Dublin: Hodges Figgis & Co. Ltd. 1959-1962.

Arberry, A.J. The Koran Illuminated: A Handlist of the Korans in the Chester Beatty Library. Dublin: Hodges Figgis & Co. Ltd. 1967.

Arberry, A.J. The Chester Beatty Library, A Handlist of the Arabic Manuscripts, Dublin, 1955-64. Volume 1, Ar 3000-3250.Volume 2, Ar 3251-3500Volume 3, Ar 3501-3750Volume 4, Ar 3751-4000Volume 5, Ar 4001-4500Volume 6, Ar 4501-5000Volume 7, Ar 5001-5500Volume 8, Indices.

V. Minorsky. The Chester Beatty Library: A Catalogue of the Turkish Manuscripts and Miniatures. Dublin: Hodges Figgis & Co. Ltd. 1958.

Wilkinson, J.V.S.. The Library of A. Chester Beatty, a Catalogue of the Indian Miniatures. London: Oxford University Press, 1936.

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Melis Taner is a doctoral candidate in the History of Art at Harvard University

Cite this: Melis Taner, “Chester Beatty Library,” HAZINE, 21 Feb 2014, https://hazine.info/2014/02/21/chester-beatty-library/